Chromatic Tuner


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Chromatic Tuner AU  v.1.3

Chromatic Tuner AU is an Audio Unit plug-in tuner for all insturments.

KS Chromatic Tuner AU  v.1.3

KS Chromatic Tuner AU is a 12-note chromatic scale tuner Audio Units plug-in.





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The 'e' Chromatic Tuner  v.0.9

The 'e' Chromatic Tuner offers an incredible value proposition: An impactful,

RK Chromatic Tuner  v.5.4

RK Chromatic Tuner is an easy, hands-free way to tune your instruments.

KS Strobe Tuner AU  v.1.3

KS Strobe Tuner AU is a 12-note chromatic scale strobe tuner Audio Units plug-in.

Piano Tuner  v.1.9

Piano Tuner is a 12-note chromatic scale strobe tuner and partial analyzer application that utilizes sound input devices such as built-in microphone, line in, and iSight.

Free Tuner  v.1.4.0.0

Free Tuner is a chromatic tuner for your musical instrument. The tuner works with the built-in microphone, you can set the "Auto" mode to let the tuner find the nearest note or you can select one of the six strings of the standard guitar

Guitarist Tuner  v.1.2.0.0

This multi instrument Tuner from Guitarist by Coderz Ltd, is the first in a suite of tools for guitarists. - Extremely accurate chromatic tuner that looks and feels like a hardware tuner. - 37 different string instruments including standard guitar

Kinoch Guitar Tuner Free  v.0.0.0.0

Chromatic tuner with acoustic guitar tones that are adjustable. Giving you +1/-1 octave of the standard E tuning strings, all 6 adjustable by half-steps. Some open tuning presets are also thrown in, Open D, Open E, and Open G.

Kinoch Tuner  v.1.0.0.0

Chromatic tuner application, written by a guitar player with other muscians in mind, Ability to raise or lower 1 octave each of the 6 strings and thrown in are Drop D, EFlat, Open A, Open D, Open, E and Open G presets,

Spectratune  v.1.0

Dual Analysis Modes: Simple Displayed Arrow (Showing Fundamental Like a Chromatic Tuner) for Single-Pitch Sources. Musicians and Theorists: Use it for Psychacoustical Insight Regarding Overtones and To Aid in Transcription of Recordings.

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